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The artful engraving of the title page depicts Atlas holding up the firmament ( coelum Rossiacum) on which the engraver (Leontij Tarasiewicz) has placed the Zodiac, Jasinski’s coat of arms and some inscriptions on ribbons. Rossiae orthodoxi archiepiscopi metropolitae (Pechersk Lavra, Kyiv 1690).Įxcept for its title page and the stemmat of Jasinski’s coat of arms, Arctos… is devoid of any pictorial components. The first two were not accompanied by engravings and therefore are not pictorial-verbal combinations strictly speaking: Hercules post Atlantem infracto virtutum robore honorarium pondus sustinens (Chernihiv, in the Swieto-Trojecka Ilinska printing house, ) as well as Arctos et antarctos caeli Rossiaci in gentilibus syderibus Barlaami Jasinski Kijoviensis Haliciensis toti gq.
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At that time, Jaworski authored four panegyrics. Jaworski created his Polish-language works in the period of 1684–1691, that is, at the close of the era of Baroque, when the reception of emblematics in the Kyiv-Chernihiv-Lviv region was still extensive and prolific. This is confirmed by the research of Dmytr Czyżewski (1894–1977) on the reception of emblematics in Ukraine in the era of Baroque, which was pioneering, although long-ignored in the Soviet Union. Moreover, Jaworski and his engraver Szczyrski had at their disposal the collections of the Kyiv-Mohyla Academy library and the libraries of Kyivan writers such as Połocki and Prokopowicz, containing the entire canon of West European emblem books and a number of Polish heraldic compendia (Szymon Okolski, Orbis Polonus, 1641 Bartosz Paprocki, Panosza, 1575 Herby rycerstwa polskiego, 1584 Wacław Potocki, Poczet herbów, 1696). In his library (whose precise description he created shortly before his death in 1721 ), Jaworski housed over 600 volumes from different fields of science and literature, including a number of emblem books: (1) Diego de Fajardo Saavedra, Idea de un principe politico christiana (Amstelodami 1659) (2) Hermann Hugo, Pia desideria (Antverpiae 1624) (3) Otto Vaenius, Amorum emblemata (Antverpiae 1612) (4) Jeremias Drexel, Zodiacus christianus (München 1618) (5) Maximilian Sandaeus, Maria Flos Mysticus (Moguntiae 1629) (6) Henricus Engelgrave, Lux Evangelica sub velum Sacrorum Emblematum Recondita (Antverpiae 1648) (7) Henricus Engelgrave, Caeleste pantheon, sive caelum novum, in festa et gesta sanctorum totius anni morali doctrina, ac profana historia varie illustratum (Coloniae Agrippinae 1671) (8) Sebastian a Matre Dei, Firmamentum Symbolicum (Lublini 1652) (9) Andrzej Młodzianowski, Icones symbolicae (Vilnae 1675) (10) Ioannes Michael von der Ketten, Appelles symbolicus (Amstelaedami et Gedani 1699) (11) Daniel de la Feuille, Devises et emblèmes (Amsterdam 1691) (12) Symbola et Emblemata selecta (Amsterdam 1705). In 1700, Tsar Peter the Great appointed Stefan Jaworski metropolitan of the Ryazan-Murom eparchy. After his return to Kyiv, where was awarded the title of poet laureate (лавроносный пиит), Jaworski gave rhetoric, and later philosophy and theology lectures at the College in the years 1690-1700. In these schools, Jaworski perfected his knowledge of Polish and Latin, also extending his competencies in rhetoric, poetics, philosophy, theology and homiletics. Having graduated from the Kyiv-Mohyla Academy in the year (circa) 1684, he attended Jesuit colleges in Lviv, Lublin, Poznan and the Academy of Vilnius. However, the context of Orthodox Christianity masks the Polish implications of his works, stemming from his education.
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Russian, Ukrainian and German readers consider him primarily as a bishop – metropolitan of Ryazan, preacher and theologian. Stefan Jaworski (1658–1722) is one of the „unknown” Polish-speaking poets of the Kyiv-Mohyla Academy’s trilingual milieu in the era of Baroque.